• instagram Hong Kong

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  • Desmon Lo’s Neon Nostalgia

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  • M-Pavillion Talk

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  • Why is Hong Kong such a popular videogame location?

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  • Longitude Interview

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  • LONGITUDE EXHIBTION​

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  • Chinese DIGRA 2018

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  • M+ & Design Trust Fellowship

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  • Arts Regeneration in Regional Japan

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  • The Prussian​ Blue Wave

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  • 2017 Asialink Residency

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  • Japanese Independent Games

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  • I Am Not Madam Bovary Film Review

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  • Children Lost and Found in the Films of Hirokazu Kore-eda

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  • Review of the Taipei Digital Arts Festival

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  • Photo Montages of Yao Lu

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  • Screen Ecologies Book Review

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  • A brief history of Asian screens

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  • Histories of Video Art in China

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  • Investigating Hong Kong Arts Spaces

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  • The screens of ISEA 2016 香港

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  • Augmented Reality Fingernails from Meta-verse Makeovers

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  • Asia Pacific Triennial

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  • Andy Warhol and Ai Weiwei and the Art of Surveillance

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  • Chen Chieh-Jen’s Factory

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  • Could the WeChat of the West be WeChat?

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  • The video installations of Yuan Goang Ming

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  • Why are QR codes so big in China?

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  • Chinese Sci-Fi and Screen Censorship

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  • Peili Zhang: Father of Chinese Media Art Education.

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  • Ink Remix

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  • The work of Cao Fei

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  • The Screen Works of Dinh Q. Lê

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  • Australian Film Festival in Shanghai

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  • The Rich Colour Palette of Wong Kar Wai

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  • Li Liao’s i-pad

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  • Screen Addiction in China and beyond

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  • Ryoji Ikea: Vision and sound projection

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  • Chinas Game Ban Lifted

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  • Yang Fudong at ACMI

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  • Liu Dao 六岛 at Island 6 Arts Center

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  • The Hyper Augmented Reality of Keiichi Matsuda

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  • Yang Yongliang’s Digital painting and Calligraphy

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  • Japanese Game Arcades

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  • MarcoPolo Festival of Digital Literature and Translation

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